Professor Denise Ho explains the historical context behind the recent controversy over Hong Kong’s Palace Museum, in Even Magazine, a new journal of art and culture
China’s Palace Museum has always been a symbol of political legitimacy, its art and artifacts a kind of currency. Making imperial treasures public to the new nation, it first opened its doors in the Forbidden City in 1925. But many of its finest pieces are no longer in Beijing — the Nationalist Party and its army took thousands of cases of art with them, first on retreat during World War II and finally into exile on Taiwan, where the collection is hosted in a second Palace Museum in Taipei.